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SCIENTIFIC AMERICAN SUPPLEMENT NO. 601 - NEW YORK, JULY 9, 1887 - Scientific American Supplement. Vol. XXIV, No. 601. - Scientific American established 1845 - Scientific American Supplement, $5 a year. - Scientific American and Supplement, $7 a year.
THE FALKE TYPE TORPEDO BOAT.
THE GERMAN NAVY--THE NEW GUNBOAT EBER.
NEW BRITISH TORPEDO EXPERIMENTS.
AN ENGLISH CAR COUPLING.
MAGAZINE RIFLES.
PRESERVATIVE LIQUID.
KENT'S TORSION BALANCE.
LINK BELTING.
The supplement opens with a hands‑on guide for the amateur sky‑watcher, showing how to build a simple star‑finder and presenting a vivid photographic study of stellar spectra from Harvard. It also surveys early work by the Henry Draper Memorial team and highlights Professor Edward Pickering’s contributions, giving readers a taste of modern astronomy without demanding a laboratory.
On the ground, the issue turns to practical inventions. Readers can follow a step‑by‑step description of an English automatic railway coupling, a novel iron‑casting process that reproduces lace and fern leaves, and a series of illustrations of link‑belt leather drives. An essay on alternating‑current phenomena by Professor Elihu Thomson rounds out the electrical section.
The engineering spotlight shifts to naval craft, detailing the sleek Falke‑type torpedo boat built by Yarrow & Co., its powerful six‑engine layout and the innovative turtle‑back hull that promises both speed and seaworthiness. Short pieces on sponge biology, a new torsion balance, and the latest British coinage round out a lively snapshot of late‑Victorian scientific progress, offering listeners a compact tour of the era’s curiosity and ingenuity.
Language
en
Duration
~3 hours (212K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by by Jon Niehof, Don Kretz, Juliet Sutherland, Charles Franks and the DP Team
Release date
2004-03-01
Rights
Public domain in the USA.
Subjects
This collection brings together writing from more than one contributor, so there isn’t a single author story to tell. The focus is on the range of voices in the work itself.
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