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SCIENTIFIC AMERICAN SUPPLEMENT NO. 303 - NEW YORK, OCTOBER 22, 1881 - Scientific American Supplement. Vol. XII, No. 303. - Scientific American established 1845 - Scientific American Supplement, $5 a year. - Scientific American and Supplement, $7 a year.
NEW EIGHTY TON STEAM HAMMER AT THE SAINT CHAMOND WORKS
GREAT STEAMERS.
IMPROVED ROAD LOCOMOTIVE.
AMERICAN MILLING METHODS.
THE REPRODUCTION AND MULTIPLICATION OF NEGATIVES. - By ERNEST EDWARDS, B.A.
A NEW METHOD OF MAKING GELATINE EMULSION.
THE POTTERY AND PORCELAIN INDUSTRIES OF JAPAN.
THE FRENCH CRYSTAL PALACE.
Step into the bustling world of late‑19th‑century innovation with this richly illustrated supplement, where steam, steel, and imagination collide. Readers will travel to the Saint Chamond works to meet an eight‑ty‑ton steam hammer that reshapes massive iron blocks, compare the lines of great steamers like the Servia and the Great Eastern, and glimpse a newly improved road locomotive that promises smoother travel. Alongside these engineering marvels come practical guides on American milling, a novel gelatin‑based photographic process, and a daring experiment in creating ultra‑high vacua—each explained in clear, lively prose.
Beyond the machines, the supplement reaches into medicine, astronomy and the natural world, offering a concise report on hydrophobia vaccination, a celebration of Uranus’s centenary, and observations on how tiny organisms spread disease. The vivid plates—showing everything from French crystal palaces to detailed cross‑sections of the hammer—bring the era’s craftsmanship to life for modern ears. Listeners will discover how these diverse discoveries, once cutting‑edge, laid foundations that still echo in today’s technology.
Language
en
Duration
~4 hours (231K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Olaf Voss, Don Kretz, Juliet Sutherland, Charles Franks and the Online Distributed Proofreading Team.
Release date
2005-06-01
Rights
Public domain in the USA.
Subjects
This collection brings together writing from more than one contributor, so there isn’t a single author story to tell. The focus is on the range of voices in the work itself.
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