
audiobook
Pueblo pottery making: a study at the village of San Ildefonso
PUEBLO POTTERY MAKING
LIST OF ILLUSTRATIONS
INTRODUCTION
PUEBLO POTTERY MAKING
RAW MATERIALS; COLLECTION, AND PREPARATION - Ingredients - Red Clay
PARAPHERNALIA - Primary Paraphernalia - Earthenware Moulds or “Pukis”
MOULDING
SUN-DRYING
SCRAPING
A vivid portrait unfolds of a Pueblo community living along the Rio Grande, where the ancient art of pottery still thrives in everyday life. The author’s fieldwork, conducted in the early 1920s, captures the rhythm of a people whose daily routines echo those of their ancestors a thousand years ago. Listeners are invited into a world where clay, fire, and imagination combine to create objects that are both functional and deeply symbolic.
The narrative follows the complete life of a vessel—from digging the raw earth and tempering it with native plants, through the careful shaping of bowls and ollas, to the intricate hand‑painting that defines each piece. Detailed observations of Maria Martinez, the village’s most celebrated potter, illustrate how traditional techniques are taught, refined, and passed down. Rich visual descriptions accompany the process, bringing the vivid plates and photographs to life in the mind’s eye.
Beyond the craft itself, the study offers a gentle exploration of Pueblo culture, revealing how pottery serves as a bridge between past and present. It provides listeners with a nuanced appreciation of the community’s resilience, hospitality, and artistic spirit, all while preserving a slice of living history.
Language
en
Duration
~4 hours (251K characters)
Series
Papers of the Southwestern expedition, no. 2
Publisher of text edition
Project Gutenberg
Original publisher
United States: Yale Univ Press, 1925.
Credits
Chuck Greif and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
Release date
Jan 22, 2022
Rights
Public domain in the USA.

1893–1974
A pioneering American anthropologist and archaeologist, he helped build the University of Michigan’s anthropology program and led important fieldwork in the Philippines. His career also ranged into Maya studies and museum leadership, giving him a wide influence on twentieth-century anthropology.
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