
By Margaret Mayo
Chapter I
Chapter II
Chapter III
Chapter IV
Chapter V
Chapter VI
Chapter VII
Chapter VIII
Chapter IX
The story opens inside the bustling women’s tent of a traveling circus, where trunks overflow with sequins, lace and discarded street clothes, and the air tastes of earth and perfume. Amid the chatter of performers and the glow of lanterns, a shy, dark‑haired girl named Polly watches the preparation for the evening’s show, her thoughts drifting back to the night she first arrived with a stranger’s promise of a new life. The vivid description of costumes, make‑up tables and the disciplined rhythm of circus life pulls the listener into a world that is both dazzling and demanding.
Polly’s quiet presence soon attracts attention when the ringmaster forces her into the perilous “Leap of Death,” a stunt usually reserved for seasoned acrobats. Tension brews among the seasoned women, who view her as an outsider and worry about the danger she faces for a meager wage. As Polly grapples with fear, pride, and the hope of belonging, the listener is left wondering how she will navigate the tightrope between survival and acceptance in the colorful yet unforgiving carnival.
Language
en
Duration
~3 hours (178K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Charles Keller, and David Widger
Release date
1997-03-01
Rights
Public domain in the USA.

1882–1951
A lively early 20th-century playwright and screenwriter, she helped shape popular American comedy with hits that moved easily from stage to screen. Best known for farces like Baby Mine, Twin Beds, and Polly of the Circus, she built a career that reached Broadway, Hollywood, and beyond.
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