
PLAYS - BY - ALEXANDER OSTROVSKY - A PROTÉGÉE OF THE MISTRESS POVERTY IS NO CRIME SIN AND SORROW ARE COMMON TO ALL IT'S A FAMILY AFFAIR—WE'LL SETTLE IT OURSELVES - A TRANSLATION FROM THE RUSSIAN, EDITED BY - GEORGE RAPALL NOYES
PREFATORY NOTE
INTRODUCTION - A PROTÉGÉE OF THE MISTRESS - POVERTY IS NO CRIME - SIN AND SORROW ARE COMMON TO ALL - IT'S A FAMILY AFFAIR—WE'LL SETTLE IT OURSELVES - INTRODUCTION
A PROTÉGÉE OF THE MISTRESS - SCENES FROM VILLAGE LIFE IN FOUR PICTURES - CHARACTERS
POVERTY IS NO CRIME - A COMEDY IN THREE ACTS - CHARACTERS
POVERTY IS NO CRIME - ACT I
SIN AND SORROW ARE COMMON TO ALL - A DRAMA IN FOUR ACTS - CHARACTERS
IT'S A FAMILY AFFAIR—WE'LL SETTLE IT OURSELVES - A COMEDY IN FOUR ACTS - CHARACTERS
Step into the bustling world of mid‑century Moscow, where shopkeepers and traders navigate ambition, honor, and the pressures of a rapidly changing society. Alexander Ostrovsky, a playwright who spent his early career among the very merchants he portrays, brings a rare authenticity to his dramas, exposing the grit and humor of a class often overlooked by his literary peers. His keen eye captures the clash between emerging commercial values and the lingering customs of a traditional Russia, making each scene feel both historically grounded and surprisingly current.
The collection offers a rich mix of works—from sharp family comedies that untangle tangled inheritances, to spirited historical sketches and even a whimsical fairy‑tale drama. Ostrovsky’s dialogue crackles with wit, and his characters—whether scheming brokers or earnest idealists—remain vivid and relatable. Listeners will discover why his realistic portrayals of everyday struggle have resonated for generations, inviting reflection on the universal tensions between wealth, morality, and love.
Language
en
Duration
~7 hours (422K characters)
Publisher of text edition
Project Gutenberg
Release date
2004-01-01
Rights
Public domain in the USA.

1823–1886
A master of Russian drama, he brought merchants, families, and everyday quarrels to the stage with unusual realism and helped shape a national theater tradition. His plays are still admired for their sharp social observation and strong sense of character.
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