
audiobook
by George Terry
PIGMENTS, PAINT AND PAINTING
INTRODUCTION.
ILLUSTRATIONS.
CHAPTER I. PRELIMINARY.
CHAPTER II. BLACKS.
CHAPTER III. BLUES.
CHAPTER IV. BROWNS.
CHAPTER V. GREENS.
CHAPTER VI. REDS.
CHAPTER VII. WHITES.
Step into the world of nineteenth‑century color chemistry, where the craft of painting meets scientific insight. This handbook bridges the gap between the old‑school apprenticeship and the demands of modern commerce, urging painters to understand not just how to apply paint but why each pigment behaves the way it does. Readers will discover clear explanations of the underlying principles that determine durability, opacity, and hue, presented in a straightforward, no‑nonsense style.
Organized by color families, the text walks the listener through blacks, blues, greens, reds, whites, yellows, and the more exotic lakes, naming each pigment—from traditional earths and mineral oxides to newly synthesized organics—while noting its source, consistency, and best applications. It also covers the oils, varnishes, and drying agents that bind these hues, offering tips on mixing, testing, and preserving work in a workshop or studio. Whether you are a seasoned decorator, a restoration specialist, or simply curious about the chemistry behind a painter’s palette, the guide provides a handy reference that feels both historical and immediately useful.
Language
en
Duration
~12 hours (716K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Chris Curnow, Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
Release date
Jan 9, 2018
Rights
Public domain in the USA.
Best known for a richly detailed 1880 history of Romford and the Royal Liberty of Havering-atte-Bower, this writer offers a vivid walk through local life, places, and memory. His work still appeals to readers who enjoy regional history told with a personal touch.
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