
audiobook
AND
OF
TRANSLATOR'S PREFACE.
PREFACE TO THE FIRST EDITION.
CHAPTER I. - ON ELEMENTARY PIANO-FORTE INSTRUCTION.
CHAPTER II. - AN EVENING ENTERTAINMENT AT HERR ZACH'S.
CHAPTER III. - MANY STUDENTS OF THE PIANO AND FEW PLAYERS.
CHAPTER IV. - A CONVERSATION WITH MRS. SOLID, AND FOUR LESSONS TO HER DAUGHTER.
CHAPTER V. - ON THE PEDAL.
CHAPTER VI. - THE SOFT-PEDAL SENTIMENT.
A seasoned 19th‑century pedagogue shares his lifelong observations on piano playing, offering a window into the teaching practices that shaped some of the era’s most celebrated musicians. The author, known for guiding his own daughters—one of whom became a famed concert pianist—writes with the confidence of experience, yet his tone remains conversational and accessible. This translation brings his practical wisdom to a modern audience, preserving the original’s directness and occasional wit.
The work is organized around three core themes: how to teach piano effectively, how students can approach learning with purpose, and how listeners might form sound judgments of performances. Readers will encounter clear guidelines on posture, technique, and practice routines, alongside thoughtful reflections on musical expression and critique. Interspersed are excerpts from the author’s own exercises and illustrative anecdotes that illuminate his methods in real classroom settings.
Listeners seeking a blend of historical insight and actionable advice will find this treatise both inspiring and useful. It speaks to teachers, students, and anyone who wishes to deepen their appreciation of piano music, reminding us that even seasoned masters remain perpetual learners.
Language
en
Duration
~3 hours (223K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by David Newman, Sigal Alon and the Online Distributed Proofreading Team at https://www.pgdp.net
Release date
2005-09-05
Rights
Public domain in the USA.

1785–1873
Best known as Clara Schumann’s father and first teacher, this formidable 19th-century music educator helped shape some of the era’s most famous pianists. He was also a voice teacher, piano dealer, and writer whose influence reached far beyond his own household.
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