
audiobook
Transcriber's Note: Footnotes can be found at the end of the text. The author's inconsistent chapter descriptions and spelling of proper names have been preserved.
OUR - CATHOLIC HERITAGE - IN - ENGLISH LITERATURE - BY - EMILY HICKEY - WITH FRONTISPIECE IN COLOUR AND FOUR FULL PAGE ILLUSTRATIONS. - London SANDS & CO. 15 KING STREET, COVENT GARDEN AND EDINBURGH AND GLASGOW - 1910
To - THE LORD ARCHBISHOP OF WESTMINSTER - THIS LITTLE BOOK IS INSCRIBED BY HIS GRACE'S KIND AND VALUED PERMISSION. June, 1910.
ILLUSTRATIONS
FOREWORDS
CHAPTER I
CHAPTER II
CHAPTER III
CHAPTER IV
CHAPTER V
Step back to the dawn of English letters, when monasteries rang with chant and poets first set the language of the land to music. This listener‑friendly guide walks through the humble origins of the tradition, from the legendary singer‑poet Caedmon in Whitby to the enigmatic Cynewulf, whose allegories of the Phoenix and the Holy Cross still sparkle with early symbolism. Illustrated with colour frontispieces and full‑page images, the narrative paints a vivid picture of a faith‑filled culture shaping its first verses.
The journey then meets the great scholar‑saint Bede, whose diligent chronicles illuminate a world of truth, and King Alfred, the lay ruler who revived learning and forged the first English prose. Their stories are interwoven with reflections on the Celtic gifts that enriched the growing literature, the rise of holy homilies, and the deep‑rooted Catholic spirit that runs through the verses. Listeners will come away with a clearer sense of how these early works laid the foundation for the richness of later English literary heritage.
Language
en
Duration
~2 hours (124K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Kathryn Lybarger and the Online Distributed Proofreading Team at https://www.pgdp.net
Release date
2005-10-01
Rights
Public domain in the USA.
1845–1924
An Irish poet, translator, and teacher who moved through London’s literary world while building a career of her own. Her writing ranged from narrative verse and criticism to later religious work, showing both literary ambition and a strong reflective streak.
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