
audiobook
Notas de transcrição:
A JOSÉ CARDOSO VIEIRA DE CASTRO
O CONDEMNADO - ACTO PRIMEIRO
SCENA I - JOAQUIM E JOÃO - Joaquim (refestelando-se em um sophá)
SCENA II - OS MESMOS E O VISCONDE DE VASCONCELLOS - Joaquim
SCENA III - Visconde de Vasconcellos
SCENA IV - VISCONDE E RODRIGO DE VASCONCELLOS - Rodrigo (beijando-lhe a mão)
SCENA V - OS MESMOS E D. EUGENIA - D. Eugenia (beijando a mão do Visconde)
SCENA VI - VISCONDE E RODRIGO - Visconde (com gravidade)
SCENA VII - OS MESMOS E JOÃO - João
A brooding drama unfolds in the bustling port city of 1857, where a nameless condemned grapples with the weight of an unnamed misfortune that threatens to drown his soul. The lyrical prelude reads like a sealed confession, urging the listener to feel the desperate yearning of a spirit caught between faded glory and looming oblivion. Its language, steeped in melancholy, hints at themes of honor, redemption, and the inexorable pull of fate without revealing the story’s later resolutions.
The first act opens in a disordered, yet grandly furnished room where two servants spar with absurd banter, their crude jokes exposing the social hierarchies that loom over the tragedy. Through their lively exchange, the play balances stark sorrow with a darkly comic edge, inviting listeners to explore a world where dignity and despair coexist, all while the condemned’s inner turmoil begins to surface.
Full title
O condemnado, drama em tres actos e quatro quadros; Seguido do drama em um acto, Como os anjos se vingam Seguido do drama em um acto, Como os anjos se vingam
Language
pt
Duration
~2 hours (165K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Pedro Saborano (produced from scanned images of public domain material from Google Book Search)
Release date
2010-05-29
Rights
Public domain in the USA.

1825–1890
A towering figure in 19th-century Portuguese literature, this fiercely productive novelist turned passion, irony, and misfortune into stories that still feel vivid today. Best known for Amor de Perdição, he wrote across romance, realism, drama, and satire with remarkable speed and intensity.
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