Noites de insomnia, offerecidas a quem não póde dormir. Nº 11 (de 12)

audiobook

Noites de insomnia, offerecidas a quem não póde dormir. Nº 11 (de 12)

by Camilo Castelo Branco

PT·~1 hours·9 chapters

Chapters

9 total
1

BIBLIOTHECA DE ALGIBEIRA

0:38
2

O ULTIMO CARRASCO - I

19:43
3

O DESASTROSO FIM DE DAMIÃO DE GOES

3:28
4

TROVAS

14:50
5

A MENINA PERDIDA

10:00
6

O HEROE DA ILHA TERCEIRA

36:07
7

O NARIZ

8:15
8

JOÃO BAPTISTA GOMES

6:33
9

AUTO DA FÉ... A RIR

7:03

Description

In this nocturnal collection, a weary narrator offers unsettling vignettes for those who cannot find sleep. The opening piece plunges us into the mind of Portugal’s last executioner, a man wrestling with the remnants of a brutal profession as the law that once sanctioned it fades. Through his conflicted reflections—ranging from the scaffold ritual to a silent tear on his cheek—the story examines the uneasy balance between duty, conscience, and the echo of lives taken.

The surrounding tales keep the late‑night mood, moving from a disastrous end for a young noble and a lost girl wandering the streets to a comic trial that ends in laughter, each narrated with irony and melancholy. The language drips with 19th‑century legal jargon and poetic melancholy, creating a vivid backdrop that feels both historically rooted and oddly contemporary for modern ears. For anyone lying awake pondering morality, fate, and the absurdities of law, these stories offer a quiet, thought‑provoking companion through the restless hours.

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Details

Language

pt

Duration

~1 hours (102K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Pedro Saborano (produced from scanned images of public domain material from Google Book Search)

Release date

2009-02-27

Rights

Public domain in the USA.

About the author

Camilo Castelo Branco

Camilo Castelo Branco

1825–1890

A towering figure in 19th-century Portuguese literature, this fiercely productive novelist turned passion, irony, and misfortune into stories that still feel vivid today. Best known for Amor de Perdição, he wrote across romance, realism, drama, and satire with remarkable speed and intensity.

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