
by
FOREWORD
INTRODUCTION
CHAPTER ONE HISTORY OF MUSIC IN MEDICINE
CHAPTER TWO PHILOSOPHY AND PSYCHOLOGY OF MUSIC
CHAPTER THREE MUSIC AS OCCUPATIONAL THERAPY
CHAPTER FOUR PSYCHIATRY AND MUSIC
CHAPTER FIVE BACKGROUND MUSIC
CHAPTER SIX MEALTIME MUSIC
CHAPTER SEVEN MUSIC IN BED
A physician with a lifelong love of music opens a thoughtful exploration of how sound can become a subtle form of healing. He first separates the pure act of composing—an intensely personal, imaginative process—from the way listeners receive music passively, allowing the listener’s emotions and even bodily responses to be shaped by what they hear. By framing music as a “social superstructure,” he invites listeners to consider both its artistic integrity and its capacity to affect the mind.
The book then surveys the ways music has been employed beyond the concert hall: as motivation for work, a rallying cry in wartime, background for film, and, most intriguingly, a therapeutic aid for patients. Drawing on scientific observations and historical examples, the author shows how rhythm, melody, and harmony can modulate mood, stimulate memory, and even influence physiological states. While he cautions against reducing music to a mere tool, he makes a compelling case for its thoughtful use in medical settings, offering a fresh perspective for anyone curious about the healing power of sound.
Language
en
Duration
~4 hours (250K characters)
Publisher of text edition
Project Gutenberg
Original publisher
United States: New England Conservatory of Music, 1946.
Credits
Tim Lindell and the Online Distributed Proofreading Team at https://www.pgdp.net (This book was produced from images made available by the HathiTrust Digital Library.)
Release date
2022-03-02
Rights
Public domain in the USA.
1907–1979
A physician, medical historian, and prolific editor, he helped shape the early literature of physical medicine and rehabilitation. His books and essays also championed higher standards and a stronger research base for occupational therapy.
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