Mit ültök a kávéházban?

audiobook

Mit ültök a kávéházban?

by Andor Gábor

HU·~4 hours·13 chapters

Chapters

13 total
1

GÁBOR ANDOR

0:06
2

A KÁVÉHÁZ

22:37
3

A MOZI

13:30
4

A JÁTÉK

25:12
5

KÖZGAZDASÁG

37:47
6

AZ IGAZSÁG

15:25
7

A VÁROS

45:54
8

A SZINHÁZ

28:04
9

UJSÁGIRÁS

14:24
10

POLITIKA

25:31

Description

In a cramped Budapest café the narrator erupts into a feverish tirade, turning the everyday clatter of cups and cigarette smoke into a stage for his paradoxical philosophy. He paints the coffee house as the very heart of the city—a place where life, art, and the absurdities of modern civility collide in a swirl of heated debate.

A new movement seeks to ban anyone under ten from these public rooms, and the narrator watches it with both contempt and dark humor. He dissects the pretensions of the cultural elite, the self‑appointed “societal guardians,” and the absurdity of protecting a fragile sense of order while the world outside roils with genuine needs. His voice snarls at the idea that a simple rule could cleanse a society he views as already saturated with hypocrisy.

Through vivid, fragmented imagery—children clutching glasses of water, the smell of stale cigar smoke, the rustle of illustrated pamphlets—the story captures a restless, satirical portrait of a city caught between tradition and the relentless push for reform. Listeners will be drawn into a uniquely Hungarian critique that feels both timeless and sharply contemporary.

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Details

Language

hu

Duration

~4 hours (257K characters)

Publisher of text edition

Project Gutenberg

Original publisher

Budapest: Dick Manó, 1914.

Credits

Albert László from page images generously made available by the Hungarian Electronic Library

Release date

2024-01-30

Rights

Public domain in the USA.

About the author

Andor Gábor

Andor Gábor

1884–1953

A sharp, socially minded Hungarian writer and journalist, he built a reputation through satire, cabaret, and politically engaged writing. His life carried him from literary and theatrical circles into exile and back again, giving his work unusual range and urgency.

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