
audiobook
MADAME FLIRT - A ROMANCE OF "THE BEGGAR'S OPERA"
MADAME FLIRT
CHAPTER I - "IF YOUR NAME ISN'T POLLY IT OUGHT TO BE"
CHAPTER II - "GO YOUR OWN WAY YOU UNGRATEFUL MINX"
CHAPTER III - "OH, MISTRESS MINE, WHERE ART THOU ROAMING?"
CHAPTER IV - "IF WE'RE NOT TO BE MARRIED TELL ME"
CHAPTER V - "MANY A MAN WOULD GIVE A HANDFUL OF GUINEAS FOR A KISS FROM SALLY SALISBURY"
CHAPTER VI - MOTHER AND DAUGHTER
CHAPTER VII - "I WISH I WERE A RICH LADY FOR YOUR SAKE"
CHAPTER VIII - "YOU'VE A MIGHTY COAXING TONGUE"
In the winding streets of early‑twentieth‑century St. Giles, the Maiden Head Inn hums with the clatter of mugs and the low murmur of conspiratorial gossip. A group of boisterous men—among them the philosophical John Gay and the blustering Lord Bolingbroke—debate legends of highwaymen while awaiting the arrival of a new talent. Their restless chatter is cut short when a small, striking girl steps into the doorway, her eyes bright and her mouth already forming a smile.
The girl, known in the tavern as Madame Flirt, lifts her voice in a lilting rendition of the old ballad “Cold and Raw,” and the room falls silent, drawn by a timbre that seems to soften even the hardest of hearts. Her effortless charm sets off a chain of flirtations, jealous whispers, and promises that hint at deeper entanglements with the handsome but reckless Lance Vane. Listeners are invited to follow her through smoky coffee houses and moonlit ponds, where music, wit, and budding affection mingle in a lively portrait of love on the London fringe.
Full title
Madame Flirt A Romance of 'The Beggar's Opera' A Romance of 'The Beggar's Opera'
Language
en
Duration
~7 hours (423K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Michael Ciesielski, Martin Pettit and the Online Distributed Proofreading Team at http://www.pgdp.net
Release date
2006-06-10
Rights
Public domain in the USA.

d. 1924
A prolific English journalist and storyteller, he wrote across an unusually wide range of genres, from children’s tales and crime fiction to lively historical and theatrical biographies. His work offers a glimpse into the tastes and publishing world of late Victorian and Edwardian Britain.
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