
I. Miss Preston's Last Sunday.
Lucy's Home.
More Home Scenes.
Nelly's Sunday Evening.
Strawberrying.
A Mission.
Temptations.
Partings.
Introductions.
New Experiences.
A gentle June afternoon bathes the village of Ashleigh in soft light, the river shimmering as children make their way to the little church for Sunday school. Miss Mary Preston, on the brink of leaving the home she has loved, feels a quiet tug of doubt and gratitude as she surveys her modest class, wondering how the lessons she has shared will linger in the hearts of her pupils. The scene is painted with the scent of pine and freshly cut hay, a reminder of the season’s promise and the fleeting nature of her own service.
Among the three girls seated at her side are Lucy Raymond, the minister’s bright‑eyed but opinion‑seeking daughter; Bessie Ford, a rosy‑cheeked farm girl whose kindness masks a lack of steadiness; and Nelly Connor, a shy newcomer whose threadbare clothing tells a story of hardship. Their contrasting temperaments set the stage for gentle mentorship, quiet challenges, and the subtle ways faith and friendship can begin to shape young lives.
Language
en
Duration
~5 hours (319K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Robert Cicconetti, Sankar Viswanathan, and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by the Canadian Institute for Historical Microreproductions (www.canadiana.org))
Release date
2006-04-24
Rights
Public domain in the USA.
Subjects

1837–1927
A prolific Canadian writer and reformer, she used fiction, poetry, and essays to speak about education, social justice, and national identity. Her work captures the moral debates and ambitions of Victorian Canada in a lively, accessible way.
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