Love and tea: A comedy-drama of colonial times in two acts

audiobook

Love and tea: A comedy-drama of colonial times in two acts

by Anna Phillips See

EN·~47 minutes·16 chapters

Chapters

16 total

THE AMAZONS

0:10

DANDY DICK

0:17

THE GAY LORD QUEX

0:09

THE HOBBY HORSE

0:16

LADY BOUNTIFUL

0:16

LETTY

0:08

THE MAGISTRATE

0:15

Love and Tea

0:36

CHARACTERS

0:19

SYNOPSIS

0:13
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Description

In a modest New England parlor just weeks after Lexington, the play opens on the household of Miss Lavinia Boltwood, a fierce spinster whose devotion to tea borders on obsession. While the town’s women have pledged to boycott the taxed beverage, Lavinia furtively pours herself a cup, setting the stage for a gentle clash between personal habit and patriotic duty. The domestic setting, bright with period details and the comic presence of Mandy, the household slave, makes the political undercurrents feel immediate and intimate.

Enter Betty, Lavinia’s spirited niece, who discovers her aunt’s secret indulgence and sees an opportunity to push her own wishes—namely a marriage to the ardent young Minuteman, William Dickinson. Their scheming unfolds amid witty repartee, gossiping neighbors, and the ever‑watchful eyes of the community, blending humor with the simmering tensions of a colony on the brink of rebellion. The result is a lively comedy‑drama that balances lighthearted antics with a glimpse of the era’s larger struggles.

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Details

Language

en

Duration

~47 minutes (45K characters)

Publisher of text edition

Project Gutenberg

Original publisher

United States: Walter H. Baker & Co., 1915.

Credits

The Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)

Release date

May 28, 2022

Rights

Public domain in the USA.

About the author

AP

Anna Phillips See

Remembered today mainly through a handful of early-20th-century works, this writer created short plays and verse with a strong interest in American history and civic life. Her surviving books suggest a lively, stage-friendly style that fit community and educational performance well.

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