
Translated From the German by Pauline D. Townsend. With A Preface By George Grove, Esq., D.C.L. In Three Volumes Vol. III. London Novello, Ewer & Co.
FAC-SIMILES
CHAPTER XXXIV. MOZART'S INSTRUMENTAL MUSIC.
CHAPTER XXXV. MOZART AS AN OPERA COMPOSER.
CHAPTER XXXVI. "LE NOZZE DI FIGARO."
CHAPTER XXXVII. MOZART IN PRAGUE.
CHAPTER XXXVIII. "DON GIOVANNI."
CHAPTER XXXIX. OFFICIAL AND OCCASIONAL WORKS.
CHAPTER XL. A PROFESSIONAL TOUR.
CHAPTER XLI. "COSÌ FAN TUTTE,"
In the final years of his remarkable career, Mozart turned his keen intellect toward the intimate world of chamber music, crafting a series of string quartets that both honored his mentor Haydn and asserted his own voice. These works reveal a composer eager to blend wit, depth, and technical mastery, offering listeners a window into the evolving tastes of Vienna’s musical salons. By juxtaposing his personal joys and the pressures of patronage, the narrative captures the delicate balance between artistic freedom and societal expectation.
Interwoven with the music analysis are rare facsimiles—a heartfelt letter sent from Paris after his mother’s death, original manuscript sketches, and a lyrical ode that showcase Mozart’s creative process in vivid detail. Together, these documents illuminate the man behind the melodies, his relationships with family and fellow artists, and the vibrant cultural milieu that shaped his enduring masterpieces. The volume invites listeners to experience Mozart not just as a genius, but as a living, breathing figure of his time.
Language
en
Duration
~13 hours (797K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by David Widger
Release date
2013-08-07
Rights
Public domain in the USA.

1813–1869
A pioneering 19th-century German scholar, he helped shape the modern study of classical archaeology while also writing influential work on music and art. He is especially remembered for combining exacting philology with a broad cultural curiosity.
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