
L'Escalier d'Or.
CHAPITRE PREMIER - Dans lequel le lecteur sera admis à faire la connaissance des deux personnages les plus épisodiques de ce roman.
CHAPITRE II - Portrait d'un homme inactuel.
CHAPITRE III - Où l'on passe rapidement de ce qui est a ce qui n'est pas.
CHAPITRE IV - Dans lequel apparaît l'insaisissable figure qui donnera de l'unité à ce récit.
CHAPITRE V - Petit essai sur les moeurs du Palais-Royal.
CHAPITRE VI - Qui traite de la prévision, de la prudence et de la modération.
CHAPITRE VII - Dans lequel l'invraisemblable devient quotidien.
CHAPITRE VIII - Où le lecteur commencera de savoir où mène l'escalier d'or.
CHAPITRE IX - Origines de M. Valère Bouldouyr.
The narrator introduces himself as a man driven by an unquiet curiosity, a pleasure in stepping into the lives of strangers and sharing their joys and sorrows. He recalls vibrant salons of Marseille, red‑sided rooms overlooking bustling ports, and a quiet garden in Saint‑Loup where poetry and friendship blossomed. Now settled in the mixed‑character neighbourhood of the Palais‑Royal, he offers a vivid picture of Parisian streets that pulse with both elegance and everyday hustle.
Through this lens he turns his attention to Valère Bouldouyr, an eccentric figure whose singular temperament has left a curious imprint on those around him. The portrait promises a series of encounters that reveal the quirks, hopes, and contradictions of a man who skirts the mainstream literary circles of his time. Listeners will be drawn into a richly textured portrait that feels both intimate and observational, a tribute to the fleeting connections that shape a life.
Language
fr
Duration
~3 hours (218K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Walter Debeuf
Release date
2004-01-01
Rights
Public domain in the USA.
Subjects

1878–1949
A French novelist, essayist, and critic, his work moved between Paris and Provence while staying open to the wider world of European literature. He became especially admired for the curiosity and range he brought to literary criticism.
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