Les parisiennes de Paris

audiobook

Les parisiennes de Paris

by Théodore Faullain de Banville

FR·~9 hours·28 chapters

Chapters

28 total
1

Produced by Carlo Traverso, Renald Levesque and the Online

0:16
2

THÉODORE DE BANVILLE - LES PARISIENNES DE PARIS - PARIS - MICHEL LÉVY FRÈRES, LIBRAIRES ÉDITEURS RUE VIVIENNE, 2 BIS, ET BOULEVARD DES ITALIENS, 15 A LA LIBRAIRIE NOUVELLE

0:11
3

A THÉODORE BARRIÈRE - MON CHER AMI,

36:19
4

DEVANT LE RIDEAU

6:09
5

LES PARISIENNES DE PARIS - I - LA FEMME-ANGE - —ÉLODIE DE LUXEUIL—

6:20
6

II. LA BONNE DES GRANDES OCCASIONS - —THÉRÈSE—

13:38
7

L'INGÉNUE DE THÉÂTRE - —ÉMÉRANCE—

4:30
8

V. LE COEUR DE MARBRE - —VALENTINE—

16:59
9

VI. LA DAME AUX PEIGNOIRS - —BERTHE—

24:09
10

VII. GALATÉE IDIOTE - —IRMA CARON—

13:08

Description

A lively, tongue‑in‑cheek narrator guides us through the bustling streets of mid‑nineteenth‑century Paris, sketch‑drawing the city’s most unforgettable women. With vivid metaphors and a flair for theatricality, he captures the sparkle of silk gowns, the perfume of fresh‑cut roses, and the daring confidence of those who turn everyday cafés into stages. The prose feels like a promenade beneath glittering lamplight, each turn revealing a new, radiant personality.

The book offers a series of intimate portraits— from the flirtatious Lorette to the earnest conservatory student—each rendered with humor and affectionate observation. It explores how style, ambition, and wit intertwine in the lives of these “Parisiennes,” revealing a society where elegance and resilience walk hand in hand. Listeners will feel the cadence of the city’s rhythm and the subtle satire that underlies every charming anecdote.

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Details

Language

fr

Duration

~9 hours (520K characters)

Publisher of text edition

Project Gutenberg

Release date

2006-03-04

Rights

Public domain in the USA.

About the author

Théodore Faullain de Banville

Théodore Faullain de Banville

1823–1891

A French poet, playwright, and critic, he helped shape 19th-century poetry with a love of musical language, formal precision, and theatrical wit. His work became an important bridge between Romanticism, the Parnassian movement, and the later Symbolists.

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