Le Roman Comique du Chat Noir

audiobook

Le Roman Comique du Chat Noir

by Gabriel Montoya

FR·~6 hours·1 chapter

Chapters

1 total
1

Note sur la transcription: Les erreurs clairement introduites par le typographe ont été corrigées. L'orthographe d'origine a été conservée et n'a pas été harmonisée. Les numéros des pages blanches n'ont pas été repris.

6:07:51

Description

Set against the twilight of Montmartre’s legendary Cabaret du Chat Noir, this lively chronicle follows the troupe’s farewell tour across the French provinces and beyond. Through the eyes of a witty chronicler, listeners hear the clatter of train wheels, the raucous applause of provincial cafés, and the off‑kilter humor of shadow‑play performances that challenge conventional theater. The narrator’s conversational tone captures the eccentric personalities—chief among them the irascible yet weary Rodolphe Salis and the ever‑resourceful Edouard Conte—while peppering the journey with witty observations on song, satire, and the fleeting nature of fame.

As the troupe weaves through Brittany, the Southwest, and even hints at distant stages in Austria and Russia, the narrative paints a vivid portrait of a world on the brink of change. The pockets of absurdity and spontaneous banter give the listener a sense of being on the road with the performers, while subtle hints of looming loss add an unexpected depth to the otherwise light‑hearted adventure.

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Details

Language

fr

Duration

~6 hours (353K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Clarity, Hélène de Mink, and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries)

Release date

2013-10-29

Rights

Public domain in the USA.

About the author

Gabriel Montoya

Gabriel Montoya

1868–1914

A doctor who traded medicine for Montmartre’s cabarets, he became known for witty songs, theatrical flair, and a lively feel for Parisian bohemian life. His work moves easily between humor, performance, and poetry, which gives it a special charm on the page as well as on the stage.

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