
audiobook
by Emile Marco de Saint-Hilaire
Notes au lecteur de ce fichier électronique:
A L'USAGE DES GENS RUINÉS, DES SOLLICITEURS, DES SURNUMÉRAIRES, - DES EMPLOYÉS RÉFORMÉS ET DE TOUS LES CONSOMMATEURS SANS ARGENT.
Par FEU MON ONCLE,
PAR SON NEVEU,
A tongue‑in‑cheek guide from the bustling streets of 1827 Paris, this work pretends to turn the art of dodging debt into a respectable science. Framed as a series of ten concise lessons, it addresses the “industrious yet cash‑strapped” citizen who wants to keep honor while keeping creditors at bay. The author’s flamboyant narrator, a self‑styled professor, peppers the text with witty aphorisms that set a lively, almost conspiratorial tone.
The lessons blend practical legal tricks with sarcastic commentary on the economic gymnastics of merchants, artisans and everyday shoppers of the era. Readers are led through strategies such as crafting persuasive language, exploiting loopholes in commercial law, and turning social obligation into a bargaining chip. Interlaced with caricatures of skeptical creditors and wary shopkeepers, the manual offers a vivid snapshot of post‑Napoleonic France’s credit culture.
For modern ears, the book is both a historical curiosity and a reminder that the struggle between debt and dignity is timeless. Its satirical edge makes the old‑fashioned prose surprisingly accessible, while the underlying insights into human ingenuity retain an oddly comforting relevance. Listeners will find a witty, thought‑provoking experience that brightens the gritty world of 19th‑century finance.
Language
fr
Duration
~2 hours (133K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Laurent Vogel, Hélène de Mink and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by the Bibliothèque nationale de France (BnF/Gallica) at http://gallica.bnf.fr)
Release date
2008-08-30
Rights
Public domain in the USA.
Subjects

d. 1887
A lively 19th-century French writer and feuilletonist, he became known for fast-moving popular histories and novels, especially works tied to Napoleon and military life. Writing for a broad audience, he helped turn recent French history into vivid reading.
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