
L'ANE MORT - PAR JULES JANIN. - ÉDITION ILLUSTRÉE - PAR TONY JOHANNOT. - Paris, - ERNEST BOURDIN, ÉDITEUR - 51, RUE DE SEINE-SAINT-GERMAIN. - 1842.
PRÉFACE.
I. LA BARRIÈRE DU COMBAT.
II. LE BON LAPIN
III. LES SYSTÈMES.
IV. LA MORGUE.
V. LA SOIRÉE MÉDICALE
VI. LA QUÊTEUSE.
VII. LA VERTU.
VIII. TRAITÉ DE LA LAIDEUR MORALE.
The opening of this work reads like a witty conversation with the ever‑curious critic, inviting listeners to join a playful debate about purpose, genre, and the strange road an author must travel. The narrator openly admits to a lack of certainty—whether he offers a light‑hearted tale, a moral essay, or a darker protest—while teasing the reader with the promise of an unusual journey. This self‑aware tone sets the stage for a story that revels in paradox and humor, hinting that the path ahead will be as winding as it is unexpected.
Soon the narrator meets a peculiar cast: a lifeless donkey and a woman destined for the guillotine, both emblematic of a society caught between absurdity and harsh judgment. Their encounters unfold in a series of vivid, almost theatrical scenes that blend satire with a subtle critique of authority and fate. As the plot gathers momentum, listeners are drawn into a world where comedy and contemplation intertwine, leaving them eager to see how the author’s enigmatic quest will evolve.
Language
fr
Duration
~5 hours (317K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Pierre Lacaze and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by the Bibliothèque nationale de France (BnF/Gallica) at http://gallica.bnf.fr)
Release date
2008-08-24
Rights
Public domain in the USA.
Subjects

1804–1874
A lively French man of letters, he became famous for sharp, theatrical criticism and for fiction that captured the energy of the Romantic era. Best known today for his journalism as well as imaginative works like The Dead Donkey and the Guillotined Woman, he brought wit and spectacle to everything he wrote.
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