
La vita operosa
CAPITOLO PRIMO APERTA CAMPAGNA
CAPITOLO SECONDO LA STATUA DI BARTOLO
CAPITOLO TERZO PESCECANEA
CAPITOLO QUARTO PER BELLOVESO
CAPITOLO QUINTO L'ULTIMO VAMPIRO
CAPITOLO SESTO L'ISOLA DI IRENE
CAPITOLO SETTIMO PANTELESTESI
CAPITOLO OTTAVO IL DÀIMONE NELL'ANTICAMERA
CAPITOLO NONO CONSOLAZIONE DELLA FILOSOFIA
The collection opens with a keen‑eyed portrait of a military academy, where cadets drill over dusty notebooks that have survived countless wars. Their lessons in topography read like a catechism, turning compass‑work, sunlight and even tree bark into a dialogue on survival. As the narrative shifts, the narrator steps out of the regimented world into a city that feels like an open field of its own.
Back in post‑armistice Milan, he wanders among glittering cafés, colorful bottles and bustling trams, searching for any sign of north in a landscape devoid of compass or sun. A fleeting encounter with a striking, unnamed woman sparks a sudden, ecstatic reflection on the tension between beauty and commerce. The story balances wry observation with lyrical yearning, inviting listeners to taste the paradoxes of a generation caught between duty and desire.
Language
it
Duration
~3 hours (216K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Barbara Magni and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
Release date
2017-02-17
Rights
Public domain in the USA.

1878–1960
A leading Italian writer of the early 20th century, this novelist, playwright, poet, and critic helped shape the style later called magical realism. His work blends modern life with the strange and unexpected, giving everyday scenes an eerie, dreamlike charge.
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