La Pantoufle de Sapho

audiobook

La Pantoufle de Sapho

by Ritter von Leopold Sacher-Masoch

FR·~48 minutes·3 chapters

Chapters

3 total
1

La Pantoufle - de - Sapho - & Autres Contes - CHARLES CARRINGTON, Libraire-Éditeur 13, Faubourg Montmartre, Paris

0:07
2

SACHER MASOCH

0:13
3

LA PANTOUFLE DE SAPHO - (1859)

48:04

Description

In the snow‑clad winter of 1859, Vienna’s aristocratic salons give way to the electric atmosphere of the Burgtheater, where every performance feels like a communal heartbeat. Audiences linger beyond the footlights, eager to glimpse the daily lives of the actors they adore, from the humble shoemaker to the lofty princess. At the center of this fervor stands Sophie Schröder, a modest‑statured actress whose imposing poise and voice command the stage with a timeless, almost mythic beauty.

Sophie’s devotion to art eclipses any desire for material reward; she shuns the glitter of courtly favors and seeks only true fulfillment. Yet her lofty ideals draw the admiration of many, and whispers spread through the loges about a youthful spectator who watches her nightly from the premier seat. The unseen arrow of love she has launched seems already arcing, even as she remains unaware of the heart it has struck, setting the stage for a delicate dance between talent, desire, and the ever‑watchful Viennese crowd.

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Details

Language

fr

Duration

~48 minutes (46K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Miranda van de Heijning, Melissa Er-Raqabi and the Online Distributed Proofreading Team at https://www.pgdp.net. This file was produced from images generously made available by the Bibliothèque nationale de France (BnF/Gallica) at http://gallica.bnf.fr.

Release date

2005-09-04

Rights

Public domain in the USA.

About the author

Ritter von Leopold Sacher-Masoch

Ritter von Leopold Sacher-Masoch

1835–1895

Best known for the novel Venus in Furs, this Austrian writer brought the landscapes, folklore, and social life of Galicia vividly into 19th-century literature. His name later became attached to the term “masochism,” though his work was far broader than that single association.

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