
NICOLÒ MACHIAVELLI - LA MANDRAGOLA - LA CLIZIA—BELFAGOR - A cura di Vittorio Osimo - Disegni di A. Magrini - Formiggini Editore in Genova - 1914
INTRODUZIONE - MANDRAGOLA - COMEDIA DI CALLIMACO E DI LUCREZIA
A young Florentine, just returned from Paris, devises an elaborate ruse to win the affection of a beautiful and sought‑after woman. He enlists the help of a cunning servant and a curious herbal remedy, turning a simple courtship into a farcical battle of wits. The dialogue crackles with sharp satire, exposing the pretensions of the city’s social climbers.
The second piece follows a sharp‑tongued slave girl who, under the watchful eye of a lecherous master, plots to preserve her virtue and outsmart her oppressor. Through clever wordplay and daring maneuverings, she reveals the double standards that govern love and power in Renaissance households, all while the audience is kept guessing how far her ingenuity will carry her.
In the final comedy, a demon dispatched from the Infernal realms arrives to chastise a miserly banker whose greed has summoned him. The spirit’s attempts at retribution quickly become a negotiation of promises and loopholes, turning the underworld’s seriousness into a witty commentary on avarice and human folly.
Language
it
Duration
~2 hours (162K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Andrea Grappolo and Marc D'Hooghe at Free Literature (Images generously made available by the Internet Archive)
Release date
2018-02-04
Rights
Public domain in the USA.
Subjects

1469–1527
A sharp observer of power and politics, this Renaissance writer is best known for The Prince, a work that still sparks debate centuries later. His life in Florentine government gave his writing an unusual mix of practical experience, wit, and hard-earned realism.
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