
NICCOLÒ MACHIAVELLI - TO - LORENZO THE MAGNIFICENT - SON OF PIERO DI MEDICI
CHAPTER I - THE VARIOUS KINDS OF GOVERNMENT AND THE WAYS BY WHICH THEY ARE ESTABLISHED
CHAPTER II - OF HEREDITARY MONARCHIES
CHAPTER III - OF MIXED MONARCHIES
CHAPTER IV - WHY THE KINGDOM OF DARIUS, OCCUPIED BY ALEXANDER, DID NOT REBEL AGAINST THE SUCCESSORS OF THE LATTER AFTER HIS DEATH.
CHAPTER V - THE WAY TO GOVERN CITIES OR DOMINIONS THAT, PREVIOUS TO BEING OCCUPIED, LIVED UNDER THEIR OWN LAWS.
CHAPTER VI - OF NEW DOMINIONS WHICH HAVE BEEN ACQUIRED BY ONE'S OWN ARMS AND POWERS
CHAPTER VII - OF NEW DOMINIONS ACQUIRED BY THE POWER OF OTHERS OR BY FORTUNE
CHAPTER VIII - OF THOSE WHO HAVE ATTAINED THE POSITION OF PRINCE BY VILLAINY
CHAPTER IX - OF THE CIVIC PRINCIPALITY
A strikingly practical work from the early Renaissance, this treatise surveys the various forms of rule—hereditary monarchies, newly founded states, and republics—while dissecting the methods by which power is acquired and held. Its author, drawing on personal experience and careful observation of contemporary politics, offers blunt counsel on everything from the use of gifts to the management of public perception. The opening chapters set the stage with clear definitions, laying a foundation for readers to understand the mechanics of governance.
Although the text has long been accused of endorsing ruthless ambition, it was intended as a sober warning about how free peoples can be turned into subjects. By exposing the harsh realities of human behavior and the fragile nature of authority, it equips leaders with tools to navigate danger and preserve stability. Its frank language and unadorned style make it an enduring guide for anyone curious about the art of ruling.
Language
en
Duration
~2 hours (170K characters)
Publisher of text edition
Project Gutenberg
Credits
Marc D’Hooghe
Release date
2018-04-23
Rights
Public domain in the USA.

1469–1527
A sharp-eyed Florentine diplomat and political thinker, he wrote with unusual honesty about power, conflict, and human ambition. His works still spark debate because they feel so direct, practical, and unsettlingly modern.
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