
JOHN RUSKIN - LA BIBLE D'AMIENS - TRADUCTION, NOTES ET PRÉFACE - PAR - MARCEL PROUST - CINQUIÈME EDITION - PARIS - MERCURE DE FRANCE - XXVI, RUE DE CONDÉ, XXVI - MCMX
«NOS PÈRES NOUS ONT DIT» - ESQUISSES DE L'HISTOIRE DE LA CHRÉTIENTÉ POUR LES GARÇONS ET LES FILLES QUI ONT ÉTÉ TENUS SUR SES FONTS BAPTISMAUX - PAR - JOHN RUSKIN, LL. D., D. C. L. - ÉTUDIANT HONORAIRE DE CHRIST CHURCH, À OXFORD ET MEMBRE HONORAIRE DE «CORPUS CHRISTI COLLEGE», À OXFORD
A vivid guide invites listeners into the mind of a 19th‑century art critic as he walks the aisles of a great cathedral, drawing connections between stone, water and the deeper currents of human thought. The translator’s commentary weaves together recurring themes from the critic’s earlier writings, helping you hear familiar ideas resonating in new contexts. Personal notes and a heartfelt dedication add an intimate layer, reminding us that the work is as much about memory as it is about architecture.
The book unfolds in four evocative sections—ranging from “the edge of swift currents” to “the lion‑tamer” and a final suite of interpretations—each enriched by scholarly footnotes that illuminate obscure references. Appendices provide chronological anchors and a broader map of the critic’s other essays, offering a roadmap for listeners who wish to explore further. This blend of travelogue, art history and reflective essay creates a listening experience that feels like a thoughtful conversation with a keen observer of beauty and meaning.
Language
fr
Duration
~10 hours (589K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Laura Natal Rodrigues and Dagny Soapfan at Free Literature (Images generously made available by The Internet Archive.)
Release date
2020-07-13
Rights
Public domain in the USA.
Subjects

1819–1900
A brilliant Victorian critic who wrote about art, architecture, nature, and society with unusual energy and clarity. His books helped shape how generations of readers looked at beauty, work, and the moral purpose of art.
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