
NEEL DOFF
JOURS DE FAMINE ET DE DÉTRESSE
VISION
MES PARENTS
QUAND JE ME RÉVEILLAI, C'ÉTAIT LE SOIR
PREMIER EXODE
RELIEFS ET ORIPEAUX
TÊTES ET PEAUX D'ANGUILLES
DEUXIÈME EXODE
NON! NON!
A cold winter day becomes a vivid mirror for the narrator, who watches children sliding on the snow while a rag‑clad boy is pushed, beaten and left to crawl away in tears. The incident awakens memories of his own brother Kees, whose “sensual” tears once seemed as clear as morning dew, and it underlines how poverty turns simple play into cruel exclusion. From this window the narrator relives the bitter episodes of a bleak childhood, where every moment of joy is shadowed by hunger and humiliation.
The family portrait is equally stark. Their father, a tall, lanky Frisian with a bright tenor voice, fills evenings with song and stories of his soldier past, offering a fleeting sanctuary around the hearth. Their mother, a Liège‑born woman obsessed with finery yet trapped in want, flits between generosity and pretension, dressing the children in borrowed splendor while secretly longing for a better life. These contradictions set the stage for a story that explores how love, loss and social hardship shape a young mind in the early years of the twentieth‑century winter.
Language
fr
Duration
~3 hours (192K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Laurent Vogel (This book was produced from scanned images of public domain material from the Google Books project.)
Release date
2020-11-15
Rights
Public domain in the USA.
Subjects

1858–1941
Rising from extreme poverty to become a writer in French-speaking Belgium, she turned hard experience into vivid, unsentimental books. Her work is closely linked with proletarian literature and remembered for its direct, autobiographical force.
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