Jours de famine et de détresse: roman

audiobook

Jours de famine et de détresse: roman

by Neel Doff

FR·~3 hours·46 chapters

Chapters

46 total
1

NEEL DOFF

0:00
2

JOURS DE FAMINE ET DE DÉTRESSE

0:22
3

VISION

1:41
4

MES PARENTS

8:37
5

QUAND JE ME RÉVEILLAI, C'ÉTAIT LE SOIR

2:21
6

PREMIER EXODE

3:10
7

RELIEFS ET ORIPEAUX

1:45
8

TÊTES ET PEAUX D'ANGUILLES

1:40
9

DEUXIÈME EXODE

2:31
10

NON! NON!

7:45

Description

A cold winter day becomes a vivid mirror for the narrator, who watches children sliding on the snow while a rag‑clad boy is pushed, beaten and left to crawl away in tears. The incident awakens memories of his own brother Kees, whose “sensual” tears once seemed as clear as morning dew, and it underlines how poverty turns simple play into cruel exclusion. From this window the narrator relives the bitter episodes of a bleak childhood, where every moment of joy is shadowed by hunger and humiliation.

The family portrait is equally stark. Their father, a tall, lanky Frisian with a bright tenor voice, fills evenings with song and stories of his soldier past, offering a fleeting sanctuary around the hearth. Their mother, a Liège‑born woman obsessed with finery yet trapped in want, flits between generosity and pretension, dressing the children in borrowed splendor while secretly longing for a better life. These contradictions set the stage for a story that explores how love, loss and social hardship shape a young mind in the early years of the twentieth‑century winter.

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Details

Language

fr

Duration

~3 hours (192K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Laurent Vogel (This book was produced from scanned images of public domain material from the Google Books project.)

Release date

2020-11-15

Rights

Public domain in the USA.

About the author

Neel Doff

Neel Doff

1858–1941

Rising from extreme poverty to become a writer in French-speaking Belgium, she turned hard experience into vivid, unsentimental books. Her work is closely linked with proletarian literature and remembered for its direct, autobiographical force.

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