Japanese Prints

audiobook

Japanese Prints

by John Gould Fletcher

EN·~29 minutes·74 chapters

Chapters

74 total

By John Gould Fletcher

0:14

Japanese Prints - By - John Gould Fletcher

2:16

List of Illustrations

0:58

Preface

9:33

Part I

0:00

Lovers Embracing

0:09

A Picnic Under the Cherry Trees

0:23

Court Lady Standing Under Cherry Tree

0:28

Court Lady Standing Under a Plum Tree

0:18

A Beautiful Woman

0:11

Description

A delicate tapestry of verse and image unfolds, inviting listeners into a world where cherry blossoms sway over quiet picnics and lantern‑lit nights echo with whispered promises. Each poem captures fleeting moments—lovers beneath plum trees, a solitary geisha’s sigh, the soft rustle of silk in a moonlit garden—while Dorothy Pulis Lathrop’s illustrations give these scenes a tangible glow. The collection moves gently from playful courtly scenes to quieter reflections on memory and longing, offering a sensory tour of an imagined Edo landscape.

The opening pages also provide a brief, inviting essay on the ancient Japanese poetic form that underpins the work, explaining its rhythmic dance of five‑ and seven‑syllable lines. This context enriches the listening experience, revealing how the odd‑numbered structure was believed to echo celestial balance. Together, the verses and artwork create a serene, immersive portrait of a culture both distant and intimately human.

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Details

Language

en

Duration

~29 minutes (28K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by The Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.)

Release date

Nov 8, 2008

Rights

Public domain in the USA.

Subjects

About the author

John Gould Fletcher

John Gould Fletcher

1886–1950

An adventurous modernist and one of the leading American Imagists, he helped bring new rhythms and vivid, image-driven language into early 20th-century poetry. His career stretched from experimental work in England to later writing rooted more deeply in the American South.

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