John Gould Fletcher

author

John Gould Fletcher

1886–1950

An Arkansas-born poet and essayist, he helped shape the Imagist movement and later became the first Southern poet to win the Pulitzer Prize. His work ranges from bold modern experiments to deeply rooted reflections on the American South.

7 Audiobooks

Some Imagist Poets: An Anthology

Some Imagist Poets: An Anthology

by Richard Aldington, John Gould Fletcher, F. S. (Frank Stewart) Flint, H. D. (Hilda Doolittle), D. H. (David Herbert) Lawrence, Amy Lowell

Some Imagist Poets, 1916: An Annual Anthology

Some Imagist Poets, 1916: An Annual Anthology

by Richard Aldington, John Gould Fletcher, F. S. (Frank Stewart) Flint, H. D. (Hilda Doolittle), D. H. (David Herbert) Lawrence, Amy Lowell

Goblins and Pagodas

Goblins and Pagodas

by John Gould Fletcher

Paul Gauguin, His Life and Art

Paul Gauguin, His Life and Art

by John Gould Fletcher

Paul Gauguin, His Life and Art

Paul Gauguin, His Life and Art

by John Gould Fletcher

Irradiations; Sand and Spray

Irradiations; Sand and Spray

by John Gould Fletcher

Goblins and Pagodas

Goblins and Pagodas

by John Gould Fletcher

About the author

Born in Little Rock, Arkansas, in 1886, John Gould Fletcher grew up in a prominent family and later studied at Phillips Academy and Harvard before leaving school after his father's death. He spent important years in England, where he moved in literary circles that included Amy Lowell and Ezra Pound, and became closely identified with Imagism, a movement that favored sharp, vivid language and fresh poetic forms.

Fletcher wrote both poetry and prose, and his career stretched well beyond his early modernist years. Over time, his writing turned more often toward nature, spirituality, and Southern themes. His Selected Poems won the Pulitzer Prize for Poetry in 1939, making him the first Southern poet to receive that honor.

Later in life, he returned to Arkansas, where he also wrote about the region's history and culture. He died in Little Rock in 1950, but he remains an important figure in American poetry for the way he bridged literary modernism and Southern tradition.