
A thoughtful meditation on the restless spirit of the late nineteenth and early twentieth centuries, this work invites listeners to wander through the shifting ideas of science, philosophy, and art. The author sketches a world where the old mechanistic view of the universe is being questioned, and where artists strip their mediums down to pure form. Against the backdrop of a continent on the brink of conflict, the essay probes whether civilization is poised for rebirth or a return to primal instincts. It is both a personal confession and a broader inquiry into how we make sense of change.
In the second part, the writer turns to the nature of artistic expression, arguing that all arts aim to stir emotion by constructing experiences rather than dissecting causes. Poetry, literature, music, and visual forms are presented as different pathways to the same emotional core, each using language and sound to evoke feeling. The discussion weaves together theory and intuition, offering listeners a clear, engaging guide to the essential qualities of art without demanding prior scholarly background.
Language
en
Duration
~1 hours (77K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Marc D'Hooghe (From images generously made available by the Internet Archive.)
Release date
2012-02-13
Rights
Public domain in the USA.
Subjects

1886–1950
An adventurous modernist voice, this Arkansas-born poet helped bring Imagism into American poetry and later became the first Southern poet to win the Pulitzer Prize. His work ranges from sharp, visual free verse to dreamlike meditations shaped by travel, art, and inner struggle.
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