
IRRADIATIONS - SAND AND SPRAY - BY - JOHN GOULD FLETCHER - BOSTON AND NEW YORK - HOUGHTON MIFFLIN COMPANY - The Riverside Press Cambridge - 1915
TO - AMY LOWELL - BEST OF FRIENDS AND POETS
A lively and incisive introduction to the state of contemporary English poetry, this work opens with a spirited conversation aimed at the everyday reader. The author challenges three common stereotypes – that poets are foolish, that verse is merely decorative banter, and that poetry must serve a rigid doctrine – and blames poets’ own secretive habits for the resulting mistrust. By unpacking the myth of “inspiration‑only” writing, he invites listeners into the craft, promising a clearer, more approachable view of verse.
The essay then turns to the mechanics of rhythm, arguing that true poetic music should flow with the same flexibility found in classical composition. Instead of imposing uniform meters, the writer champions a spectrum of cadences—swift bursts, lingering lines, and intentional pauses—to mirror shifting emotions. Throughout, he stresses that mastery of form, not lofty philosophy, is what separates lasting poems from fleeting fancy, offering a practical roadmap for anyone eager to understand or improve their own poetic voice.
Language
en
Duration
~40 minutes (39K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Marc D'Hooghe (From images generously made available by the Internet Archive.)
Release date
2012-02-13
Rights
Public domain in the USA.

1886–1950
A prizewinning American poet helped bring Imagism into English-language poetry while also writing vividly about the South and the American landscape. His work moves between sharp modernist precision and a strong sense of place.
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