
audiobook
by Richard Aldington, John Gould Fletcher, F. S. (Frank Stewart) Flint, H. D. (Hilda Doolittle), D. H. (David Herbert) Lawrence, Amy Lowell
SOME IMAGIST POETS
SOME IMAGIST POETS - AN ANTHOLOGY
BOSTON AND NEW YORK HOUGHTON MIFFLIN COMPANY The Riverside Press Cambridge 1915
PREFACE
RICHARD ALDINGTON
RICHARD ALDINGTON
CHILDHOOD
THE POPLAR
ROUND-POND
DAISY
In the restless years before First World War a small group of English‑speaking poets gathered around a shared belief that poetry should be as sharp and concrete as a photograph, using everyday language but never settling for anything less than the exact word. Their manifesto, outlined in a candid preface, champions new rhythms that arise from fresh moods, the freedom to choose any subject, and the insistence that each poem present a single, vivid image without vague generalities.
The anthology was assembled not by a single editor but by the poets themselves, each selecting what they consider their strongest unpublished pieces and agreeing to an alphabetical arrangement that avoids claim of hierarchy. Listeners encounter a spectrum of voices—from the crisp observations of Aldington to the haunting garden scenes of H.D., from Fletcher’s melodic sketches to Flint’s concise snapshots—each offering a clear, concentrated glimpse of early modernist imagination. Listening to the collection reveals the disciplined clarity and image‑driven focus that were reshaping poetry at the time, offering a vivid sense of the experimental energy that would influence generations to come.
Language
en
Duration
~48 minutes (46K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Meredith Bach, Stephanie Eason, and the Online Distributed Proofreading Team at http://www.pgdp.net. (This file was produced from images generously made available by The Internet Archive/American Libraries.)
Release date
Oct 17, 2009
Rights
Public domain in the USA.

1892–1962
A founding voice of Imagism, Richard Aldington brought sharp, vivid language to modern poetry and wrote powerfully about the trauma of World War I. His work ranged from poems and novels to criticism, translation, and biography.
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1886–1950
A key figure in American Imagism, he brought sharp visual language and modern rhythms to poetry while drawing on music, French Symbolism, and Eastern art. His later work turned toward nature, faith, and the history of his native Arkansas.
View all books1885–1960
A self-educated London poet, translator, and critic, F. S. Flint helped shape the modernist movement known as Imagism. His work combines lyrical sensitivity with a sharp interest in French poetry and new forms of poetic expression.
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1886–1961
A pioneering voice of literary modernism, H.D. transformed classical myth, war, gender, and memory into precise, powerful poetry. Her work also extended into novels, memoirs, essays, translations, and experimental film.
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1885–1930
A bold modernist voice, D. H. Lawrence explored love, desire, family, nature, and the pressures of industrial society. His best-known works include Sons and Lovers, The Rainbow, Women in Love, and Lady Chatterley’s Lover.
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1874–1925
A bold voice of American modernism, she helped bring Imagist poetry into the spotlight with its sharp images, musical rhythms, and fresh attention to everyday life. Her work ranged from intimate love poems to ambitious criticism, translation, and biography.
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by D. H. (David Herbert) Lawrence

by D. H. (David Herbert) Lawrence

by D. H. (David Herbert) Lawrence

by D. H. (David Herbert) Lawrence

by D. H. (David Herbert) Lawrence

by D. H. (David Herbert) Lawrence

by D. H. (David Herbert) Lawrence

by H. D. (Hilda Doolittle)