Indian Conjuring

audiobook

Indian Conjuring

by L. H. (Lionel Hugh) Branson

EN·~1 hours·21 chapters

Chapters

21 total

BY - MAJOR L. H. BRANSON M.I.M.C. - Indian Army

0:29

LIST OF ILLUSTRATIONS

0:54

INDIAN CONJURING

0:01

CHAPTER I - A COMPARISON

13:11

CHAPTER II

0:38

THE CUP AND BALLS

4:02

CHAPTER III - THE BAMBOO-STICKS

2:23

THE RING ON THE STICK

4:00

CHAPTER IV - THE GLASS BOX - The Glass Box and Ball.

1:45

The Bunder Boat.

2:59
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Description

Step into the bustling world of early‑20th‑century stagecraft, where a British officer‑turned‑magician records the vibrant practices of India’s traveling conjurors. The author contrasts the polished, apparatus‑laden shows of European illusionists with the resourceful, hand‑crafted feats of the Jadoo‑wallah, whose performances rely on clever sleight‑of‑hand, everyday objects, and a dash of local folklore. Along the way, vivid illustrations bring to life classic tricks—the restored rope, the egg‑bag illusion, and the surprising mango‑tree feat—while the narrative captures the lively banter between performer and audience.

Beyond the tricks themselves, the book offers a thoughtful meditation on why magic endures across cultures, probing the motivations of Western magicians versus their Indian counterparts. Readers discover how princely patronage, modest means, and simple materials shape a uniquely Indian style of wonder that still captivates visitors to the subcontinent’s coral shores. The work invites listeners to appreciate both the artistry and the cultural dialogue that underlie every astonishing reveal.

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Details

Language

en

Duration

~1 hours (77K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Sankar Viswanathan and The Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.)

Release date

Nov 28, 2008

Rights

Public domain in the USA.

About the author

LH

L. H. (Lionel Hugh) Branson

1879–1946

A British army officer and stage magician, he wrote with the confidence of someone who had spent years studying tricks at close range in India. His best-known work blends curiosity, showmanship, and a practical eye for how illusions are done.

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