
Il Codice di Perelà
L'UTERO NERO
IL THÈ
«DIO»
IL BALLO
VISITA A SUOR MARIANNINA FONTE SUOR COLOMBA MEZZERINO...
ALA
IL PRATO DELL'AMORE
IBA
VILLA ROSA
A wandering figure drifts toward a mysterious city, its gates guarded by dust‑clouded sentries and a king whose presence is hinted at only through cryptic whispers. The protagonist’s encounters—an old woman, a guard, and a “man of smoke” whose very substance seems to defy weight—unfold in a rapid, overlapping dialogue that blurs the line between question and answer. The landscape is rendered in fragmented images of fog, shining boots, and a perpetual chant of “Pena, Rete, Lama,” creating a surreal atmosphere that feels both theatrical and dreamlike.
Through this bewildering exchange, the story probes what it means to be “light” or “heavy,” to exist as flesh, smoke, or idea. Its experimental language invites listeners to follow the rhythm of the conversation rather than a conventional plot, suggesting deeper reflections on identity, authority, and the absurdity of human rituals. The opening promises a thought‑provoking journey where every word is a clue and every pause a chance to wonder.
Language
it
Duration
~4 hours (252K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Carlo Traverso, Barbara Magni and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
Release date
May 2, 2015
Rights
Public domain in the USA.

1885–1974
A playful, unconventional voice in modern Italian literature, this poet and novelist moved from early experiments with Futurism to warm, sharply observed fiction. Best known for work like Sorelle Materassi, he wrote with wit, irony, and a taste for the unexpected.
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