
Note sur la transcription: Les erreurs clairement introduites par le typographe ont été corrigées. L'orthographe d'origine a été conservée et n'a pas été harmonisée. Les numéros des pages blanches n'ont pas été repris.
HISTOIRE DE ÉDOUARD MANET ET DE SON ŒUVRE
THÉODORE DURET HISTOIRE DE ÉDOUARD MANET ET DE SON ŒUVRE AVEC DOUZE ILLUSTRATIONS
ANNÉES DE JEUNESSE
LES PREMIÈRES ŒUVRES
LE DÉJEUNER SUR L'HERBE
L'OLYMPIA
L'EXPOSITION PARTICULIÈRE DE 1867
DE 1868 A 1871
LE BON BOCK
The book opens a vivid portrait of a young Édouard Manet, born into a respectable Parisian bourgeois family in 1832. It sketches the world of his parents—a magistrate father and a well‑connected mother—showing how the privileges and expectations of that class shaped his upbringing. Through lively narration, readers glimpse the salons, the classical education, and the rigid career path laid out for him, from law studies to a potential role in the judiciary.
Yet the narrative quickly turns to Manet’s restless spirit, hinting at the inner conflict between societal duty and a burgeoning artistic impulse. Early influences, from his schooling under the Abbé Poiloup to his exposure to contemporary ideas, set the stage for a talent that could not be contained. Illustrated with twelve period images, the work offers a richly textured glimpse into the formative years that would eventually propel Manet toward the avant‑garde circles of Paris, without yet revealing the later triumphs and controversies that defined his career.
Language
fr
Duration
~5 hours (324K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Adrian Mastronardi, Hélène de Mink and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries and Bibliothèque Nationale de France/Gallica)
Release date
2011-04-28
Rights
Public domain in the USA.

1838–1927
An early champion of modern painting, he defended Courbet, Manet, and the Impressionists when their work still shocked many critics. His writing helped explain why these new artists mattered, and his eye for art made him an important figure in Paris’s cultural world.
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