Henriette, oder die schöne Sängerin: Eine Geschichte unserer Tage

audiobook

Henriette, oder die schöne Sängerin: Eine Geschichte unserer Tage

by Ludwig Rellstab

DE·~3 hours·21 chapters

Chapters

21 total

Anmerkungen zur Transkription

1:12

Henriette, oder die schöne Sängerin.

0:09

Inhalt.

0:45

1. Die Abendgesellschaft.

8:43

2. Die Urtheile.

12:12

3. Kabale und Liebe.

13:01

4. Henriette.

6:56

5. Der Hanswurst. Der Recensent.

12:34

6. Lord Monday. Die Arche Noah. Der Regenbogen. Das Duell. Die Ohnmacht.

14:13

7. Die ausgewetzte Scharte. Das Krankenzimmer.

6:23

Description

On the night of her first performance, the young soprano Henriette captures the entire opera house with a voice that ignites a frenzy of applause. The curtain rises again to reveal her radiant presence, and the audience—nobles, officers, and seasoned patrons alike—are left breathless, each whispering the same name in awe. Henriette, though silent onstage, conveys her triumph through sparkling eyes that speak louder than any aria.

The exuberant reception quickly draws the attention of the court’s most influential figures: a weary field marshal, a restless major, and two inseparable aristocratic friends who thrive on gossip and intrigue. Their conversations swirl around the mysterious newcomer, mixing admiration with envy and hinting at secret wagers and hidden motives. As Henriette navigates this glittering yet treacherous social landscape, her talent becomes both a blessing and a catalyst for the tangled relationships that surround her, promising a story where art and ambition collide.

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Details

Language

de

Duration

~3 hours (183K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by the Online Distributed Proofreading Team at http://www.pgdp.net (This book was produced from images made available by the HathiTrust Digital Library.)

Release date

2019-04-08

Rights

Public domain in the USA.

About the author

Ludwig Rellstab

Ludwig Rellstab

1799–1860

A sharp-witted Berlin poet and critic, he is remembered both for his own writing and for the poems that found a lasting second life in song. Several of his texts were set by Franz Schubert in Schwanengesang, keeping his voice close to the heart of German Romantic music.

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