
CYNTHIA A. HOOVER - DIVISION OF MUSICAL INSTRUMENTS NATIONAL MUSEUM OF HISTORY AND TECHNOLOGY - Harpsichords and Clavichords - SMITHSONIAN INSTITUTION PRESS CITY OF WASHINGTON 1969
Harpsichords and Clavichords
The booklet opens a window onto the world of the harpsichord and clavichord, the two dominant keyboard instruments from the fifteenth through the eighteenth centuries. It explains how their strings are plucked or struck, why their sound differs from that of the modern piano, and what makes each instrument uniquely expressive despite limited dynamic range. Readers also learn how the shape of the case, the material of the soundboard, and the arrangement of strings shape the tone.
Within its pages, several restored Smithsonian instruments are highlighted, from Flemish Ruckers virginals to English spinets, each accompanied by clear photographs and simple diagrams of their inner workings. The text describes the clever jack‑and‑plectrum mechanism, the use of multiple string sets, and the practice of short‑octave tuning that defined early keyboard music. It also points listeners toward a full checklist of the museum’s keyboard collection, inviting further exploration of these historic treasures.
Language
en
Duration
~20 minutes (19K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Chris Curnow, Turgut Dincer, Joseph Cooper and the Online Distributed Proofreading Team at http://www.pgdp.net
Release date
2012-05-13
Rights
Public domain in the USA.
Subjects

A longtime Smithsonian curator and music historian, she helped bring the story of American instruments—especially pianos and early keyboards—to a wide audience. Her work blends scholarship, collecting, and a clear love of how instruments shape everyday musical life.
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