Haapaniemen hanhenpoika: Huvi-näytelmä yhdessä näytöksessä

audiobook

Haapaniemen hanhenpoika: Huvi-näytelmä yhdessä näytöksessä

by W. Friedrich, Jean-François-Alfred Bayard, Gustave Lemoine

FI·~56 minutes·3 chapters

Chapters

3 total

HAAPANIEMEN HANHENPOIKA

0:05

W. FRIEDRICH

0:09

JÄSENET:

56:04

Description

Set in a bustling 19th‑century Finnish manor, the play opens with Captain Stool and his loyal servant Jaako puzzling over a mysterious letter that could determine their daughter Aini’s future. The domestic scene is lively, the stage split between a modest parlor and a grand armchair, and the dialogue crackles with the everyday concerns of a family trying to keep order amid a flurry of expectations.

Around them swirl a cast of eccentric figures: the flamboyant suitor Sirkkunen, the nervous but well‑meaning Jaako, and the ever‑dramatic wife Klara, whose sudden cries of “monster!” set the tone for the comedy. As matchmaking schemes collide with rumors of a looming disturbance, misunderstandings mount, promising a cascade of witty repartee and farcical twists that keep the audience guessing what will happen next.

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Details

Language

fi

Duration

~56 minutes (54K characters)

Publisher of text edition

Project Gutenberg

Release date

Sep 22, 2016

Rights

Public domain in the USA.

About the authors

WF

W. Friedrich

d. 1879

Best known as the librettist behind the hit opera Martha, this 19th-century German stage writer helped shape popular musical theater of his day. He wrote with a strong feel for comedy, drama, and the practical needs of the stage.

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Jean-François-Alfred Bayard

Jean-François-Alfred Bayard

1796–1853

A lively 19th-century French playwright and librettist, he helped shape the fast-moving world of vaudeville and comic opera. His stage work was known for its ease, wit, and strong feel for popular theater.

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Gustave Lemoine

Gustave Lemoine

1802–1885

A busy figure in 19th-century French popular theater, he wrote plays, librettos, and song texts that were widely performed and published. His work moved easily between comedy, drama, and music, giving him a lasting place in the world of boulevard entertainment.

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