
EI SAVUA ILMAN TULTA
M. BAYARD
I KOHTAUS.
II KOHTAUS.
III KOHTAUS.
IV KOHTAUS.
V KOHTAUS.
VI KOHTAUS.
VII KOHTAUS.
VIII KOHTAUS.
In a modestly furnished bedroom of an early‑twentieth‑century home, the bank clerk’s assistant Gaston bursts in, umbrella in hand, convinced that something is amiss. He hears the key in the lock and imagines his wife Marie slipping out and returning in a strange blue‑belted dress, a vision that rattles his nerves. The scene crackles with his inner monologue, each fleeting thought turning ordinary details—rain‑soaked streets, a missing figure on a corner—into evidence of betrayal. His suspicion hangs in the air, making the small room feel suddenly oppressive.
When Marie finally appears, her hurried entrance and casual chatter about errands clash with Gaston’s mounting dread. Their sharp, fragmented dialogue, punctuated by the brief, polite presence of the maid Catherine, reveals a marriage teetering between routine and unraveling trust. Listeners are drawn into a tense domestic slice of life, where ordinary morning rituals become the stage for jealousy, misunderstanding, and the unsettling question of what really lies behind a simple trip to town.
Language
fi
Duration
~24 minutes (23K characters)
Publisher of text edition
Project Gutenberg
Credits
Tapio Riikonen
Release date
2020-06-25
Rights
Public domain in the USA.

1796–1853
A prolific French dramatist of the vaudeville era, he built a busy stage career in 19th-century Paris and became known for witty, fast-moving theatrical collaborations. His life in the theater was also shaped by family ties to fellow playwright Eugène Scribe, his uncle.
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