
audiobook
GREAT SINGERS ON THE ART of SINGING
INTRODUCTION - Vocal Gold Mines and How They are Developed
THE TECHNIC OF OPERATIC PRODUCTION - What the Student Who Aspires to Go Into Opera Should Know about the Mechanical Side of Giving an Operatic Performance
FRANCES ALDA (MME. GIULIO GATTI-CASAZZA) - Biographical
WHAT THE AMERICAN GIRL SHOULD KNOW ABOUT AN OPERATIC CAREER MME. FRANCES ALDA (MME. GATTI-CASAZZA) - Regularity and Success
PASQUALE AMATO - Biographical
MODERN VOCAL METHODS IN ITALY - PASQUALE AMATO
DAVID BISPHAM - Biographical
THE MAIN ELEMENTS OF INTERPRETATION - DAVID BISPHAM
DAME CLARA BUTT - Biographical
In this volume the reader meets a handful of the most celebrated opera, concert and oratorio singers of the early twentieth century, each speaking directly to the challenges faced by a voice student. The talks were collected over a decade and a half, and every remark has been checked with the artist to retain the practical details of their own training. By presenting questions that a teacher would hear in a studio, the book shows how technique, interpretation and personal discipline intertwine.
The contributors discuss everything from the basics of breath support to the mental preparation required for a debut stage performance. They share anecdotes about rehearsal habits, repertoire selection, and the often‑overlooked importance of self‑study and vocal health. For anyone who wants a window onto the daily work behind celebrated performances, the conversations offer concrete guidance without pretension, making the art of singing feel both attainable and richly layered.
Full title
Great Singers on the Art of Singing Educational Conferences with Foremost Artists Educational Conferences with Foremost Artists
Language
en
Duration
~7 hours (405K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net
Release date
2010-08-06
Rights
Public domain in the USA.
Subjects

1875–1960
A lively champion of music education, he wrote for everyday readers as well as serious students, turning musical history and technique into something approachable and useful. His work also helped shape American musical culture through decades of editing and publishing.
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