
GREAT SINGERS ON THE ART of SINGING
INTRODUCTION - Vocal Gold Mines and How They are Developed
THE TECHNIC OF OPERATIC PRODUCTION - What the Student Who Aspires to Go Into Opera Should Know about the Mechanical Side of Giving an Operatic Performance
FRANCES ALDA (MME. GIULIO GATTI-CASAZZA) - Biographical
WHAT THE AMERICAN GIRL SHOULD KNOW ABOUT AN OPERATIC CAREER MME. FRANCES ALDA (MME. GATTI-CASAZZA) - Regularity and Success
PASQUALE AMATO - Biographical
MODERN VOCAL METHODS IN ITALY - PASQUALE AMATO
DAVID BISPHAM - Biographical
THE MAIN ELEMENTS OF INTERPRETATION - DAVID BISPHAM
DAME CLARA BUTT - Biographical
A collection of intimate talks with the era’s most celebrated opera, concert and oratorio singers, this volume offers voice students a rare glimpse into the minds behind the celebrated performances they admire. Rather than presenting lofty theory, each conversation is grounded in the everyday challenges of developing technique, expression, and stage presence, making the material immediately useful for anyone serious about singing.
The author draws on decades of experience as a teacher, accompanist, and critic, weaving personal anecdotes with practical advice. Readers discover why raw talent alone rarely leads to lasting success and learn how disciplined training, musical insight, and personal resilience shape a true artist.
Filled with carefully documented questions and candid responses, the book feels like a masterclass recorded for posterity. Its timeless observations about breath control, diction, repertoire choice, and the human qualities that captivate audiences continue to resonate with modern singers seeking both skill and authenticity.
Full title
Great Singers on the Art of Singing Educational Conferences with Foremost Artists
Language
en
Duration
~7 hours (404K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net
Release date
2010-08-06
Rights
Public domain in the USA.
Subjects

1875–1960
A lively voice in American music publishing, he spent decades helping shape how classical music was taught, discussed, and enjoyed. His books gathered practical advice and firsthand reflections from major performers of his era, making them approachable for everyday readers and musicians.
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