
Transcriber's Notes
PREFACE
LIST OF ILLUSTRATIONS
CHAPTER I INTRODUCTION
CHAPTER II THE PRIMITIVE GLASS OF THE EGYPTIANS AND SYRIANS
CHAPTER III THE LATER GREEK GLASS AND THE MOULDED AND CAST GLASS OF THE ROMAN EMPIRE
CHAPTER IV THE BLOWN GLASS OF THE ROMAN EMPIRE
CHAPTER V EARLY CHRISTIAN GLASS, BYZANTINE GLASS, AND THE GLASS OF THE MIDDLEAGES IN THE EAST AND THE WEST.
CHAPTER VI GLASS FROM ANGLO-SAXON AND FRANKISH TOMBS.THE SO-CALLED HEDWIG GLASSES
CHAPTER VII MEDIÆVAL TREATISES ON GLASS
This work presents a sweeping, art‑focused tour through the centuries of glassmaking, drawing on the unrivaled collections of the British Museum and South Kensington. The author weaves together meticulous photographic records, unpublished chemical analyses, and insights from leading curators, offering a vivid picture of each piece’s craftsmanship and cultural backdrop. By grounding the narrative in concrete examples—from early Egyptian vessels to ornate Venetian goblets—the text brings the material’s evolution to life for both scholars and curious listeners.
Organized into clear chapters, the study moves chronologically through ancient Egypt and Syria, the Roman and early Christian periods, the glittering courts of Byzantium, and the groundbreaking workshops of medieval and Renaissance Europe. Later sections explore the rich traditions of Islamic, Asian, and modern glass, highlighting technical innovations and artistic trends. The careful balance of scholarly detail and accessible storytelling makes it an invaluable guide for anyone eager to understand how transparent art has shaped, and been shaped by, history.
Language
en
Duration
~13 hours (802K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by David Garcia, Sonya Schermann, and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
Release date
2014-09-16
Rights
Public domain in the USA.

d. 1914
Best known for writing on porcelain, glass, and old master painting, this early 20th-century writer brought specialist art history to a wider audience. His books are still valued for the way they combine close attention to craft with a clear sense of historical context.
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