
A cold November morning hangs over the misty banks of the Schelde, its gray sky swallowing the last red streaks of sunset. The river pushes relentless dark waves past flickering gas lamps and the hulking silhouettes of steam‑powered tugboats, their lights glittering like stray fireflies. The quay is a tapestry of wet stone, iron ladders and rusted fences, while a distant fog blurs the outline of the city beyond.
Amid this bleak landscape stands Geerten Basse, a wiry dockhand who keeps a tiny boat tied to the iron railing. He counts his meager coins, tucks a half‑franc into his pocket, and munches on a bruised plum while sharing coarse jokes with the other laborers huddled in threadbare coats. His hands are scarred, his humor rough, yet there is a steady rhythm to his routine that hints at a stubborn resilience.
The scene is filled with the clatter of horse‑drawn wagons, the creak of wooden bridges and the chatter of men trying to warm frozen fingers. It paints a vivid portrait of a working‑class community fighting the chill and the tide, waiting for the day to turn.
Language
nl
Duration
~2 hours (121K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Anne Dreze and Marc D'Hooghe
Release date
2004-04-01
Rights
Public domain in the USA.

1886–1959
Best remembered as a sharp-eyed Belgian theater critic and writer, he helped shape how Flemish stage culture was discussed and remembered. His work ranged from realistic fiction and essays to influential studies of the theater world he knew so well.
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