
FRONDES AGRESTES. - READINGS IN 'MODERN PAINTERS.' - By John Ruskin - Chosen At Her Pleasure, By The Author's Friend, The Younger Lady Of The Thwaite, Coniston. - 'Spargit agrestes tibi silva frondes.' - Thirty-Eighth Thousand. - London: George Allen, 156, Charing Cross Road. 1902. - Printed By Ballantyne, Hanson & Co. At the Ballantyne Press
PREFACE.
FRONDES AGRESTES.
SECTION I. — PRINCIPLES OF ART.
SECTION II. — POWER AND OFFICE OF IMAGINATION.
SECTION III. — ILLUSTRATIVE: THE SKY.
SECTION IV. — ILLUSTRATIVE: STREAMS AND SEA.
SECTION V. — ILLUSTRATIVE: MOUNTAINS.
SECTION VI. — ILLUSTRATIVE: STONES.
SECTION VII. — ILLUSTRATIVE: PLANTS AND FLOWERS.
This compact volume gathers a friend’s lovingly handwritten selections from a celebrated work on art and nature. The passages have been arranged to flow like a quiet walk through Coniston’s woods, offering listeners a taste of the original author’s vivid observations without the weight of the full text. It feels as though the compiler herself is guiding you, choosing the moments that once delighted her and now may spark a similar wonder in you.
The essayist explores what makes “perfect taste,” describing it as a patient heart that drinks dew and resists the tempting glitter of fashion. He links the appreciation of colour and form to a deeper moral pleasure, while also reflecting on how science and art together reveal the world’s hidden grandeur. The language is rich yet conversational, inviting listeners to linger on each thought.
Listening feels like sitting beside a thoughtful companion, hearing ideas unfold slowly, encouraging you to notice the subtle beauty in ordinary things. It’s an ideal companion for quiet evenings, walks, or any moment when you wish to let your mind wander through the countryside of ideas.
Language
en
Duration
~3 hours (200K characters)
Publisher of text edition
Project Gutenberg
Credits
Etext produced by Paul Murray, Chandra Friend and the Online Distributed Proofreading Team at https://www.pgdp.net HTML file produced by David Widger
Release date
2010-01-22
Rights
Public domain in the USA.

1819–1900
A brilliant Victorian critic who wrote about art, architecture, nature, and society with unusual energy and clarity. His books helped shape how generations of readers looked at beauty, work, and the moral purpose of art.
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