
Note: The tonic system has been changed from polytonic to monotonic. The spelling of the book has not been changed otherwise. The translator has chosen not to assume the ancient text that is missing, but to denote the gap by....
ΒΙΒΛΙΟΘΗΚΗ ΦΕΞΗ ΑΡΧΑΙΩΝ ΕΛΛΗΝΩΝ ΣΥΓΓΡΑΦΕΩΝ - ΑΙΣΧΥΛΟΥ - ΕΥΜΕΝΙΔΕΣ - Μ Ε Τ Α Φ Ρ Α Σ Η I Ω Α Ν. Γ Ρ Υ Π Α Ρ Η - ΕΚΔΟΣΕΙΣ ΦΕΞΉ
Ε Υ Μ Ε Ν I Δ Ε Σ
ΠΡΟΣΩΠΑ
ΑΙΣΧΥΛΟΥ ΕΥΜΕΝΙΔΕΣ
ΒΙΒΛΙΟΘΗΚΗ ΦΕΞΗ ΑΡΧΑΙΩΝ ΕΛΛΗΝΩΝ ΣΥΓΓΡΑΦΕΩΝ - ΑΙΣΧΥΛΟΣ
In a solemn sanctuary beneath the towering columns of Delphi, a tormented prince seeks sanctuary from relentless vengeance. Apollo, the god of prophecy, grants him temporary safety, urging him onward to the city of Athena, where the future of his blood‑stained hands will be decided. The drama opens with the clash of human guilt and divine mercy, setting the stage for a tense journey from sacred refuge to the bustling courts of Athens.
Arriving in the Athenian polis, the prince is taken in as a supplicant under Athena’s protection, yet the looming threat of the Furies—ancient avengers of blood crimes—still hangs over him. The city’s citizens convene at the lofty Areopagus, a tribunal that will weigh law against myth, offering a glimpse into ancient concepts of justice and communal responsibility. As the voices of gods, prophets, and mortals intertwine, listeners are drawn into a timeless conflict between retribution and redemption.
Language
el
Duration
~1 hours (86K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Sophia Canoni
Release date
2012-03-19
Rights
Public domain in the USA.

-525–-456
Often called the father of Greek tragedy, this pioneering playwright helped shape what drama could do on stage. His surviving works still feel grand and intense, full of justice, revenge, gods, and human pride.
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