Æschylos Tragedies and Fragments

audiobook

Æschylos Tragedies and Fragments

by Aeschylus

EN·~9 hours·13 chapters

Chapters

13 total

Transcriber's Note:

0:18

PUBLISHER'S NOTE

2:04

PART I

0:12

PART II

0:14

CHRONOLOGICAL OUTLINE OF THE LIFE OF ÆSCHYLOS

1:12:35

THE SEVEN WHO FOUGHT AGAINST THEBES

1:05:49

PROMETHEUS BOUND

1:11:53

THE SUPPLIANTS

1:05:39

AGAMEMNON

2:00:48

THE LIBATION-POURERS

1:14:37

Description

A careful, early‑20th‑century translation brings the surviving works of the ancient playwright known as the “Father of Tragedy” to modern ears. Dean Plumptre’s version balances fidelity to the original language with accessibility, offering scholarly notes that illuminate difficult passages and indicating where the text is conjectural or disputed. The choral odes appear in their original unrhymed meter, while an appendix provides rhymed renditions for listeners who prefer a more familiar poetic flow.

The collection follows Aeschylus’s surviving seven plays in chronological order, beginning with the historic “Persians” and moving through the mythic cycles of Thebes, the doomed fate of Prometheus, the pleas of the Suppliants, and the powerful Oresteia trilogy—“Agamemnon,” “The Libation‑Bearers,” and “Eumenides.” Fragments from lost works are also included, giving a sense of the playwright’s broader ambition.

Presented as an audiobook, the translation’s clear narration and insightful commentary invite listeners to experience the grandeur of early Greek tragedy, its moral dilemmas, and its striking chorus‑driven reflections on justice and destiny.

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Details

Language

en

Duration

~9 hours (568K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Richard Tonsing, Eric Eldred and the Online Distributed Proofreading Team at http://www.pgdp.net

Release date

2016-09-30

Rights

Public domain in the USA.

About the author

Aeschylus

Aeschylus

-525–-456

Often called the father of tragedy, this pioneering playwright helped shape ancient Greek drama into the powerful form we still recognize today. Only seven of his plays survive, but works like the Oresteia and The Persians have made his voice endure for more than two millennia.

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