Entre as Nymphéas

audiobook

Entre as Nymphéas

by João Marques de Carvalho

PT·~1 hours·25 chapters

Chapters

25 total
1

INDICE

0:19
2

OBRAS DE MARQUES DE CARVALHO

0:24
3

PRIMEIRA PARTE SUBJECTIVISMO

0:52
4

O ISOLAMENTO

0:00
5

O ISOLAMENTO

6:56
6

GAIVOTAS

0:00
7

GAIVOTAS - I

6:12
8

O Naufragio do Purus

0:01
9

O Naufragio do Purus

4:04
10

Brinde a minha Filha

0:01

Description

A wandering chronicler sets out on a six‑year odyssey along the Amazon, Negro and Madeira, following the floating gardens of water‑lilies that lend the work its name. The prose reads like a living sketchbook, capturing the rustle of leaves, the call of distant birds, and the sudden flash of a great heron taking wing from a fallen trunk. As the narrator steps into a sun‑drenched clearing, the forest transforms into a vaulted green hall where light and shadow play in endless variations. Each observation feels both a scientific note and a poem, inviting listeners to see the riverine world through fresh eyes.

Beyond the scenery, the narrative turns inward, exploring the quiet of isolation and the surge of emotion that the wild awakens. The author confides a deep, twelve‑year devotion to a beloved companion, framing the journey as a tribute to love and longing. This blend of personal confession and natural description creates a meditative tapestry, where the external landscape mirrors the inner currents of the heart. Listeners will be drawn into a contemplative rhythm that balances wonder with quiet introspection.

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Details

Language

pt

Duration

~1 hours (87K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Pedro Saborano (produced from scanned images of public domain material from Google Book Search)

Release date

2009-06-19

Rights

Public domain in the USA.

About the author

JM

João Marques de Carvalho

1866–1910

A restless literary voice from Belém, he helped bring Naturalism into the fiction and newspapers of nineteenth-century Pará. His best-known novel, Hortênsia, turned the city itself into part of the drama.

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