
audiobook
by P. C. (Pieter Cornelis) Schoonees
DIE PROSA VAN DIE TWEDE AFRIKAANSE BEWEGING.
PIETER CORNELIS SCHOONEES, - GEBOREN TE UNIONDALE, ZUID-AFRIKA.
VOORWOORD.
INHOUD.
HOOFSTUK I. - Die Twede Afrikaanse Beweging. - § 1. Historiese Inleiding.
HOOFSTUK II. - Polemiese Prosa.
HOOFSTUK III. - Prosa uit die Tydskrifte. - § 1.(a) De Goede Hoop (1903-1914).
HOOFSTUK IV. - G.R. von Wielligh. - "Die Laaste Stem uit Die Genootskap van Regte Afrikaners".
HOOFSTUK V. - Romans, Verhale en Sketse. - § 1. Adv. J.H.H. de Waal.
HOOFSTUK VI. - Satieries-Humoristiese Prosa. - § 1. Ds. Willem Postma. (1874-1920). (Dr. O'Kulis).
The study offers a comprehensive overview of the second Afrikaans literary movement, emerging in the early twentieth century and marked by a shift from purely language‑building to broader cultural concerns. It situates the writers within South Africa’s political and religious landscape, highlighting how Calvinist ideas and new publishing platforms influenced their prose. By contrasting this period with the earlier movement, the work reveals the tensions between isolation and engagement that defined the era.
The dissertation is organized into sections that examine historical background, critical profiles of key prose authors, contributions from periodicals, and surveys of novels and short stories. Each profile combines biographical detail with analysis of style, language and the balance between Afrikaner identity and wider literary currents. Extensive references support the discussion, making the book a useful resource for scholars and for listeners who wish to understand a formative stage in South African literary history.
Language
af
Duration
~11 hours (636K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Christine D., Michael Ciesielski and the Online Distributed Proofreading Team at http://www.pgdp.net
Release date
2006-04-18
Rights
Public domain in the USA.

1891–1970
Best known as an Afrikaans scholar and lexicographer, he helped shape the language’s literary and reference tradition while also writing criticism and creative work. He published under his own name and the pseudonyms “Oom Sarel” and “Jan Kloppers.”
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