
audiobook
EVENING DEVOTIONS. - DIDDIE, DUMPS & TOT - OR PLANTATION CHILD-LIFE - By - Louise-Clarke Pyrnelle - Originally Published 1882 - TO MY DEAR FATHER - DR. RICHARD CLARKE - OF SELMA, ALABAMA - MY HERO AND MY BEAU IDEAL OF A GENTLEMAN - I Dedicate this Book - WITH THE LOVE OF HIS - DAUGHTER
PREFACE.
DIDDIE, DUMPS, AND TOT.
CHAPTER I. - DIDDIE, DUMPS, AND TOT.
SANITARY MEASURES.
CHAPTER II. - CHRISTMAS ON THE OLD PLANTATION.
PLAYING "INJUNS."
CHAPTER III. - MAMMY'S STORY.
CHAPTER IV. - OLD BILLY.
"OLE BILLY."
Set on a sprawling Mississippi cotton plantation, the story follows three young sisters—Diddie, Dumps, and Tot—who spend their days amid cedar groves, rose‑clad summer houses, and the bustling quarters of the enslaved families who tend them. Their world is colored by the gentle guidance of Mammy, Aunt Milly, Aunt Edy and the kindly Uncle Snake‑bit Bob, each imparting games, songs, and superstitions passed down through generations. Through tea‑party whispers and lively play, the narrative captures the rhythms of a Southern childhood that once thrived under a now‑vanished way of life.
The author weaves together the children's adventures with the rich oral traditions of the African‑American community—rhythmic hymns, folk tales, and the rules that governed even the smallest mischief. Readers hear the cadence of polite address, the warning of “Nem’ min’, de deb’l gwine git yer,” and the shared faith that bound both white and black children together. This vivid recollection offers a window into a bygone era, preserving the tender bonds and cultural textures that shaped the early lives of Diddie, Dumps, and Tot.
Language
en
Duration
~3 hours (229K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Graeme Mackreth, Suzanne Shell and the Online Distributed Proofreading Team at https://www.pgdp.net
Release date
Nov 24, 2005
Rights
Public domain in the USA.
1850–1907
Best known for a once-popular children's novel about plantation life, this Alabama writer drew heavily on her own early memories of the antebellum South. Her work is now read with interest not only as fiction, but also as a window into the Lost Cause nostalgia of its time.
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