
audiobook
Diddie, Dumps, and Tot - OR - PLANTATION CHILD-LIFE - by Louise-Clarke Pyrnelle - GROSSET & DUNLAP - PUBLISHERS NEW YORK - By arrangement with Harper & Brothers - COPYRIGHT, 1882, BY HARPER & BROTHERS - COPYRIGHT, 1910, BY MARY C. MOTLEY - Printed in the United States of America
Contents
TO MY DEAR FATHER DR. RICHARD CLARKE OF SELMA, ALABAMA MY HERO AND MY BEAU IDEAL OF A GENTLEMAN I DEDICATE THIS BOOK WITH THE LOVE OF HIS DAUGHTER
PREFACE
DIDDIE, DUMPS AND TOT
CHAPTER I DIDDIE, DUMPS AND TOT
CHAPTER II CHRISTMAS ON THE OLD PLANTATION
CHAPTER III MAMMY’S STORY
CHAPTER IV OLD BILLY
CHAPTER V DIDDIE’S BOOK
Three little sisters—Diddie, Dumps, and Tot—grow up in a grand white house set among cedar and live‑oak groves on a Mississippi cotton plantation. Their days are filled with tea parties in rose‑covered summer houses, games in the garden, and the warm hum of household rhythms. Through their eyes the reader catches the gentle sway of Southern life, where the boundaries between the planter family and the enslaved community are portrayed with a nostalgic intimacy.
The narrative weaves together the songs, superstitions, and stories the children hear from their “Mammies” and “Aunts,” preserving a world of folk tales and plantation customs that are fast disappearing. Episodes of Christmas celebrations, Sunday‑school lessons, and lively games reveal the blend of innocence and the complex moral landscape of the era. Listeners will find a vivid portrait of childhood on the ante‑bellum South, rich with humor, tenderness, and the lingering echo of a bygone way of life.
Language
en
Duration
~3 hours (228K characters)
Publisher of text edition
Project Gutenberg
Release date
2004-01-01
Rights
Public domain in the USA.
1850–1907
Raised in Alabama after the Civil War, this writer turned memories of plantation childhood into fiction that became widely known in the late 19th century. Her best-known work, Diddie, Dumps, and Tot, is remembered today both as a popular children’s book and as a revealing example of how the Old South was romanticized in its era.
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