Deux et deux font cinq (2 + 2 = 5) oeuvres anthumes

audiobook

Deux et deux font cinq (2 + 2 = 5) oeuvres anthumes

by Alphonse Allais

FR·~5 hours·69 chapters

Chapters

69 total

ALPHONSE ALLAIS

0:02

Deux et deux font cinq

2:47

POLYTYPIE

3:39

ET DAUDET?

4:16

ANTIBUREAUCRATIE

4:29

CORRESPONDANCE ET CORRESPONDANCES

5:07

LE MYSTÈRE DE LA SAINTE-TRINITÉ DEVANT LA JEUNESSE CONTEMPORAINE

4:55

LA VAPEUR

6:52

L'ACIDE CARBONIQUE

6:46

THE PERFECT DRINK

5:06
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Description

In this witty collection, the narrator finds himself at a bustling Latin Quarter café, drawn into a surreal conversation with a man who answers every statement with a playful self‑comparison to literary and historical giants. Each reply—“I am a type in the genre of Balzac,” “of Flaubert,” “of Charlemagne,” and so on—turns ordinary talk into a cascade of absurd analogies that both mock and celebrate the great names of French culture.

Through rapid, coffee‑stained exchanges, Allais spins a tapestry of humor that pokes fun at pretension, identity, and the art of storytelling itself. The pieces bounce from one exaggerated persona to the next, inviting listeners to linger over the rhythm of language while delighting in the unexpected twists of a seemingly simple dinner invitation. It’s a charming, fast‑moving ride through the absurdist spirit of late‑19th‑century Paris.

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Details

Full title

Deux et deux font cinq (2 + 2 = 5) oeuvres anthumes oeuvres anthumes

Language

fr

Duration

~5 hours (341K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Laurent Vogel and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by the Bibliothèque nationale de France (BnF/Gallica) at http://gallica.bnf.fr)

Release date

Nov 11, 2007

Rights

Public domain in the USA.

About the author

Alphonse Allais

Alphonse Allais

1854–1905

A sharp, playful voice of the Belle Époque, he turned puns, absurdity, and deadpan wit into an art form. His short pieces still feel surprisingly modern, mixing literary elegance with jokes that land sideways.

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